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lchristopher's avatar

Reread this three times. You have a hardwired sense of story in your work and it shows. The details you give allow the reader to populate the images with their own mind: bar sign, neon, no color, could be anything; Ford F-350, man works for a living, farm muscle, construction, hauling, low SES blue collar [but with enough ends to purchase a higher tier work truck]. I don't speak Spanish, which is dismissive; the line about the boy being her brother, friendly flirty probe that was kindly rebuffed "you're slick" or put on the shelf for later use, she sees it for what it is, and knows the rules of the game and lets him know that she knows them, etc. your prose doesn't get overlost in details [*raises hand slowly, embarrassed*] or purple prose. In short, you have a damn fine tether on the art of telling a STORY, and the talent to pull it off. That's the biggest asset a writer can have. Reader engagement. There's lots more, but I had to stop to let you know that I really enjoyed this. Looking quite forward to what comes next.

All good things.

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lchristopher's avatar

As an example of FCWT [that's First Class White Trash, to the uninitiated] made good, I want to take this moment to 1) state that on behalf of my subculture, you're not [entirely] wrong and 2) the only moment in popular culture that captured the world of difference between being a hillbilly [*raises hand slowly*] and a redneck properly was the final reel, final episode, denouement extraordinarie of the first season of Ozark.That show nailed my people flatter than hammered shit.

I still have dreams that Ruth Langmore and myself are walking around in the Catskill Mountains wearing nothing but flowers. She's got the accent fucking perfect and is whiter than ME. [pale women are my kryptonite.]

Hillbilly is complimentary. Redneck [from outsiders] can be construed as an absolute declaration of war.

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